弗兰茨·斯特劳斯圆号夜曲和协奏曲欣赏

stephen

弗兰茨·斯特劳斯第7号作品，圆号夜曲

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Franz Strauss（1822年2月26日---1905年5月31日）或许作为众所周知的作曲家Richard Strauss的父亲而更加闻名。
他本人是一名多才多艺的音乐家和作曲家，与人合奏演奏吉他和单簧管。

今天，他经常作为一名号角演奏者被人们所怀念。然而，不不仅仅是当时的号角演奏家。他担任慕尼黑宫廷管弦乐队的首席号角演奏几乎有50年。
Richard Wagner的许多著名作品就是被这个乐队首次公演。Strauss 本人参加了Tristan und Isolde, Das Rheingold, Die Walküre的首次公演，
当然参加了更多作品的演出，然而Strauss却极其不喜欢Wagner的作品，和别的作曲家相处得也不好。谈到Strauss，Wagner说到“Strauss是一个让人
无法忍受的小气鬼，但是当他演奏号角的时候却让人无话可说，因为演奏得实在太没了。”

作为作曲家，Franz Strauss通常是因为他写的号角作品而被人们想起。这些作品包括2个协奏曲，和其他无数的小作品。毫无疑问，他有名的儿子Richard
是听当时最伟大的号角演奏家在自己家中演奏而成长起来的，并深受影响。

感谢会员 PECH 提供音频及文字翻译！

圆号热爱者

这个圆号家很厉害，要听听

sga_210

谢谢楼主分享

zxjlsc2008

好听！有没有他的“引子、主题与变奏”

syz06803

顶了  哈哈

圆号先森.

谢谢楼主咯！

没事就吹号

盖帽了，真不亏是大师级。

1143774212

cuihualin

谢谢楼主分享

wax9527

学习学习！~

1143774212

1143774212

Franz Strauss (1822-1905)
Born in Parkenstein, Bavaria, Franz Strauss had begun his musical career by the age of 7, playing the violin at a wedding dance. After musical study with his uncles Johann Georg Walter and Franz Michael Walter, in which he learned to play the clarinet, guitar, and all brass instruments, Franz Strauss at the age of 15 entered the service of Duke Maximilian of Bavaria as a guitarist. His study on the horn continued, and it was the horn that would become his major instrument. In 1847 he joined the Bavarian court orchestra, a position he held until his retirement in 1889. Franz Strauss also served as a professor at the Academy of Music in Munich from 1871 until 1896 and served from 1875 until 1896 as the conductor of the amateur orchestra "Wilde Gung'l."

Franz Strauss married Elise Seiff, the daughter of a regimental band director, in 1851. While this was a very productive period for him as a composer and performer, it was a tragic period of his life; a 10-month-old son died of tuberculosis, and then cholera took the lives of his wife and young daughter, leaving him a widower at the age of thirty-two. Strauss did not remarry until 1863, at which time he married Josephine Pschorr, a daughter of the wealthy brewer Georg Pschorr. To this union two children would be born, and the elder, Richard Strauss (1864-1949), was destined to become a great composer.

Comments made about Franz Strauss by musical figures of the period reveal both the esteem in which he was held as a performer and something of his character as a man. A musical conservative, Franz Strauss nevertheless performed in the premiere performances of several important operas of Richard Wagner in Munich, including Tristan und Isolde (1865), Die Meistersinger (1868), Das Rheingold (1869), and Die Walküre (1870). The conductor of the first two of these premieres, Hans von Bülow (1830-1894), called Franz Strauss "the Joachim of the horn," and also commented, "The fellow is intolerable, but when he blows his horn you can't be angry with him." Wagner mirrored Bülow's comments, and is quoted as saying, "Strauss is an unbearable, curmudgeonly fellow, but when he plays his horn one can say nothing, for it is so beautiful." Franz Strauss had artistic differences with both of these figures, which make the compliments they paid to him as a performer all the more meaningful. A story recalled by Richard Strauss relates that "Wagner once went past the horn player, who was sitting in his place in moody silence, and said, 'Always gloomy, these horn players,' whereupon my father replied 'We have good reason to be.'" Another story relates a difficult situation between Franz Strauss and Bülow. As the grueling dress rehearsal wore on at 4:00 in the afternoon for the premiere of Die Meistersinger, a rehearsal that had started at 9:00 and which followed 26 other rehearsals for this premiere, all performed without an assistant horn, Franz Strauss could take it no longer. As Ernest Newman relates the story,

Strauss said bluntly that he could play no more. "Then take your pension!" said the irritated Bülow. Strauss picked up his horn, went to the Intendant, and asked for his pension "at the orders of Herr von Bülow." As he was indispensable, [Intendant Karl von] Perfall had to use all his diplomacy to smooth the trouble out.
Beyond his very significant performing career, Franz Strauss also left a legacy as a teacher. Something of his method of teaching is known, as recalled by Franz Strauss's last student Hermann Tuckermann.

The method of Franz Strauss is first of all to emphasize tone quality. He always said: "Only by sustaining tones and by interval studies can you achieve a noble tone." Therefore each lesson began with tonal exercises. With his students he worked through the horn concertos, and the important parts from opera and concert literature. He never accepted a fee for his lessons. His main interest was to impart his experience and skill to hornists.
This concern for tone must certainly have been a significant element of his success on the horn and is certainly reflected in his solo works as well.

Major publications include:

Fantasie, Op. 2
Les Adieux
Nocturno, Op. 7
Concerto, Op. 8
Empfindungen am Meere, Op. 12
Theme and Variations, Op. 13

cuizhu173638

谢谢楼主分享~~

w3939839300

谢谢楼主..

xiaoyu559

好作品！