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林德伯格传(长号演奏必看)!!

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1#
发表于 2003-4-16 03:31:00 | 只看该作者 回帖奖励 |正序浏览 |阅读模式
林德伯格生于1958年,17岁开始学习长号(够晚的),19岁就担任斯德哥尔摩管弦乐团首席长号(才两年,要不怎么说是天才呢)。在那里他苦心钻研,直到他获得伦敦和洛杉矶国际比赛独奏大奖,才辞去斯德哥尔摩管弦乐团首席长号这一职务,并成为长号历史上以来第一位专职独奏家!
林德伯格演奏风格多样,而且记忆力惊人,65次首演的协奏曲中,有59次背谱演出。
林德伯格也是难得的老师,他的大师班吸取了世界上诸多优秀的长号演奏家,并被伦敦皇家音乐学院誉为“皇夫教授”
林德伯格所用的乐器是Conn88cl.(我用的也是Conn,所有我很荣幸,但型号和他相差很大,但够用了,只可惜用瞎了。对了,跟他用一样乐器有一点不好,就是当你吹不好时没法怪乐器,哈哈,开玩笑)

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55#
发表于 2010-4-24 20:51:01 | 只看该作者

谢谢

谢谢                   霸道啊
54#
发表于 2010-3-11 14:38:58 | 只看该作者
他被称为瑞典的“国宝”,据说他出CD全是国家出钱。
53#
发表于 2009-3-11 22:53:30 | 只看该作者
练了好几年长号 只知道林德伯格是个大师 印象很模糊 现在才知道此人是个长号天才
国内名气好大的 呵呵 就以他为目标了 好好努力练号!
52#
发表于 2008-4-4 16:40:06 | 只看该作者
来看看 学习了不少东西
51#
发表于 2007-12-14 10:08:02 | 只看该作者
真羡慕啊         
50#
发表于 2007-8-28 15:28:58 | 只看该作者
GENE,加拿大长号演奏家.
49#
发表于 2007-8-26 16:54:16 | 只看该作者
不过。有了这样的天才我们才能去刻苦努力。
48#
发表于 2007-8-26 16:53:18 | 只看该作者
天才就是天才。我们只能望尘莫及了。
47#
发表于 2007-8-16 23:57:52 | 只看该作者
真的想听听!!看看大师这么样?
46#
发表于 2007-6-28 18:44:28 | 只看该作者
Christian Lindberg
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Christian LindbergChristian Lindberg (born 1958) is a Swedish trombone virtuoso. Lindberg has premiered over 200 works, including over 70 new concerti. His performances are characterised as having “a charismatic intensity of delivery” (New Grove, OUP).

Growing up in Stockholm, it was there that he learned to play the baritone horn before taking up the trombone at the age of 17. He originally borrowed a trombone to join his friends’ dixieland jazz group, inspired by records of Jack Teagarden.

“I got completely obsessed by the trombone when I first played it. I loved it passionately. The whole world opened up for me.” (Lindberg, The Independent 1995)

He soon started studying with Sven-Erik Eriksson at the Swedish Royal Academy of Music. By the age of 19 he had a professional position in the Royal Swedish Opera Orchestra and at 20 he left the orchestral career behind to study to become a full-time soloist. He studied with John Iveson at the Royal College of Music (1979–80) and with Ralph Sauer and Roger Bobo in Los Angeles (1983).

In 1981 he had his first big break, winning the Nordic Soloists’ Biennale competition. He had his concert debut in 1984 with the Trombone Concerto by Henri Tomasi with the Swedish RSO conducted by Saraste. In the same year he signed a recording contract by Robert von Bahr and released his first solo CD on the BIS label, “The Virtuoso Trombone”. Initially commissioned for an impressive three album deal to cover the most challenging music in the repertoire, Lindberg has gone on to produce over 60 solo CDs.

He initially worked with pianist and college friend Roland Pöntinen and local composer Jan Sandström. Early fame came with Sandström’s notorious “Motorbike Concerto”, which involves all the sounds of a motorbike from revving, gear changes and skidding, and a complete story told through the trombone.

Lindberg’s facility on the trombone is among the greatest on his instrument. For example, his performance of the solo violin part of “Winter” from Vivaldi’s “The Four Seasons” concerti requires amazing speed, accuracy, stamina, flexibility and range as with his interpretation of Rimsky-Korsakov's "Flight of The Bumblebee". By contrast, he brings his lyrical playing abilities to pieces such as “Julietta’s Farewell” from his arrangement of Sergei Prokofiev’s “Romeo and Juliet”.

He is best known for his performance of avant-garde and other theatrical works, achieving a marvellous audience rapport. His repertoire includes Luciano Berio’s “Sequenza V”, Sandström’s “Motorbike Concerto”, Fredrik Högberg’s “The Ballad of Kit Bones” and “Su ba do be”.

He has developed his tone in the German tradition of a thick, warm sound, often with a fast vibrato. This is the most striking difference between Lindberg’s playing and the American and British virtuosi, who tend toward a more focused, free sound.

His compositional career began at the age of 39 after Sven-David Sandström convinced Lindberg to try his hand at composition. His first-performed work was “Arabenne” for trombone and strings, recorded in 1997.

In 2000 he made his conducting debut with the Northern Sinfonia in the UK. He is now a regular conductor for the Nordic Chamber Orchestra and the Swedish Wind Ensemble.

Recently, Christian Lindberg was commissioned to write a concerto for the Chicago Symphony Orchestra and their bass trombonist Charles Vernon. The concerto was written for the alto, tenor, and bass trombones where the soloist switched between the three instruments. Its premiere was a roaring success, Charles Vernon received an extensive review and analysis of the 2007 for the trombone with several new concertos premiering next year in the New York Times.


[edit] Notable Concerto Premieres
de Frumerie – Trombone Concerto (1986)
Jan Sandström – Motor Bike Concerto (1989)
Xenakis – Troorkh (1993)
Anders Hillborg – Trombone Concerto (1993)
Toru Takemitsu – Fantasma/Cantos II
Jan Sandström – Don Quijote (1994)
Pärt – An den Wassern (1996)
Muldowney – Trombone Concerto (1996)
Michael Nyman – Trombone Concerto (1997)
Luciano Berio – SOLO for Trombone and Orchestra (1999)
Christian Lindberg – Helikon Wasp (2003)
Mark Anthony Turnage – Yet Another Set To (2005)
45#
发表于 2007-6-4 16:10:29 | 只看该作者

回复 #41 浪漫长号 的帖子

6/16 寧波大剧院//世界首席長號林伯格 音樂會
44#
发表于 2007-6-4 16:07:13 | 只看该作者
43#
发表于 2007-6-3 14:37:10 | 只看该作者

爱长号

:) :) 他好牛啊:)
42#
发表于 2007-1-15 15:35:00 | 只看该作者
他是他们国家的国宝,国宝嘛当然厉害了,哈哈
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